född 2 november 1858, död i december 1932, var en svensk idealistisk konstnär. Krouthen föddes i Linköping och var son till handlaren Conrad Krouthen och Hilda Åberg. Släkten Krouthen kom från Norrköping och flera generationer hade arbetat som tenngjutare. Familjenamnet Krut ändrades genom att varubeteckningen Krut-tenn förfranskades till Krouthen. Conrad Krouthen kom till Linköping 1850 och startade en manufakturaffär vid Stora torget. Affären gick bra och 1857 kunde han gifta sig med sömmerskan Hilda Åberg. Krouthen kunde växa upp i ett välmående hem och han fick börja skolan på läroverket i Linköping. Vid 14 års ålder slutade han skolan och började arbeta åt fotografen och målaren Svante Leonard Rydholm som hade en atelje vid St. Larsplan. Krouthen fick lära sig grunderna i både målning och fotografering och vid 16 års ålder började han på Konstakademiens principskola i Stockholm 1875. Den treåriga utbildningen innebar att eleverna fick lära sig att rita av klot och profiler, djur och växter. Efter de tre åren fick Krouthen fortsätta vid akademin. I kursen "Lägre antiken" fick eleverna rita av gipsmodeller, i "Högre antiken" teckna efter levande model och i "Landskapsskolan" fick eleverna måla landskap. Under studietiden sökte sig många elever utanför skolan och Krouthen lärde känna konstnären Edvard Perseus. Perseus var kritisk till utbildningen på akademin och tog med sina elever bland annat till Mariefred och Gripsholms slott för att måla av naturen.  Related Paintings of johan krouthen :. | vattenvegetation | portratt av verner von heidenstam | Sommarlandskap med vandrande barn | Siesta med hustrun Hulda i hangmattan | sjogesta bro |
Related Artists:
Herbert menzies marshall,r.w.s
1841-1913
Moran, Thomas
American Hudson River School Painter, 1837-1926 American painter and printmaker of English birth. His brothers Edward (1829-1901), John ( 1831-1902) and Peter (1841-1914) were also active as artists. His family emigrated from England and in 1844 settled in Philadelphia where Moran began his career as an illustrator. He was guided by his brother Edward, an associate of the marine painter James Hamilton, whose successful career afforded an example for Moran. Between the ages of 16 and 19 Moran was apprenticed to the Philadelphia wood-engraving firm Scattergood & Telfer; he then began to paint more seriously in watercolour and expanded his work as an illustrator. In the 1860s he produced lithographs of the landscapes around the Great Lakes. While in London in 1862 (the first of many trips to England), he was introduced to the work of J. M. W. Turner, which remained a vital influence on him throughout his career. Moran owned a set of the Liber studiorum and was particularly impressed by Turner's colour and sublime conception of landscape. With his wife, Mary Nimmo Moran (1842-99), an etcher and landscape painter, he participated in the Etching Revival, scraping fresh and romantic landscapes and reproductive etchings
Egide Charles Gustave Wappers
(23 August 1803 Antwerp - 6 December 1874 Paris) is best known as the Belgian painter Gustave Wappers, while his oeuvre is also reckoned Flemish. He signed works by the name Gustaf Wappers. He studied at the Royal Academy of Fine Arts in Antwerp, and during 1826 in Paris. The Romantic movement with its new ideas about art and politics was astir in France. Wappers was the first Belgian artist to take advantage of this state of affairs, and his first painting, "The Devotion of the Burgomaster of Leiden," appeared at the appropriate moment and had marvellous success in the Brussels Salon during 1830, the year of the Belgian Revolution. While political, this remarkable work revolutionized the direction of Flemish painters. Episode of the Belgian Revolution of 1830 (1834), Museum of Ancient Art, Brussels.Wappers was invited to the court at Brussels, and was favoured with commissions. In 1832 the city of Antwerp appointed him Professor of Painting. He exhibited his masterpiece, "Episode of the Belgian Revolution of 1830" or rather "Episode of the September Days of 1830 on the Grand Place of Brussels", (Museum of Ancient Art, Brussels) at the Antwerp Salon in 1834. He was subsequently appointed painter to Leopold, King of the Belgians. At the death of Matthieu-Ignace Van Bree in 1839 he was elavated to director of the Antwerp Academy. One of his pupils was Ford Madox Brown; another was the Czech history painter Karel Javůrek. His works are numerous; some of them in traditional devotional modes ("Christ Entombed"), while others illustrate the Romantic view of history: "Charles I taking leave of his Children", "Charles IX", "Camoens", "Peter the Great at Saardam", and "Boccaccio at the Court of Joanna of Naples". Louis Philippe gave him a commission to paint a large painting for the gallery at Versailles, "The Defence of Rhodes by the Knights of St John of Jerusalem". He finished the work in 1844, the same year that he received the title of baron from Leopold I.After retiring as director of the Antwerp Academy, he settled in 1853 in Paris, where he died in 1873 - having been one of the most talented flagships of Romanticism in Belgium.